



Posted by
Chelsea
at
7:51 PM
2
comments
Labels: So Random
I am really excited to see Cracks, which stars Eva Green, was produced by the incredible Christine Vachon, and looks to be a hybrid of Heavenly Creatures and Picnic at Hanging Rock. Oh, and it has copious amounts of gorgeous clothes....




Posted by
Chelsea
at
6:29 PM
10
comments
Labels: Fashion on Film
My public transportation experiences are much more enjoyable now that I have discovered that magical Cat Paint iphone application. You can basically just insert a cat into any of your photos. You only have eight cats to choose from but who cares, it's 99 cents. Below are some of my favorite creations; I must note that I also used the Camera Bag application (magazine filter) to give them a more surreal, contrast-y look.Rachel Antonoff's Spring presentation was adorable but sadly cat-less. Problem solved.
Katie in the bathtub. I love how the cats provide an instant murder narrative.
Sweetie singing Rhiannon. I love that "She is like a cat in the dark and then she is the darkness" lyric.
An abstract composition. Check out other masterpieces at the Cat Paint gallery
Posted by
Chelsea
at
3:44 PM
10
comments
As per usual, Lyell is driving me crazy. 



I need a "get rich quick" plan. Her collaboration with UO was such a bust in person* - back to wanting the good stuff.
*not Ms. Fletcher's fault, bien sur
Posted by
m.bardeaux
at
9:31 PM
5
comments
Labels: Fashion Porn
I've been feeling uncharacteristically apathetic about magazines lately but then I discovered these back issues of the Berlin-based quarterly Mono Kultur at the New York book fair earlier this month. The concept is simple, each issue is devoted to one person (or band). There is a Q&A, a small selection of relevant images, and that's it. The design of each issue is unique and completely impeccable. I really can't say enough good things about Mono Kultur. Oh, and it features really cool people like Tilda Swinton, David Shrigley, Francois Ozon, Miranda July, and Dries van Noten. I also really love the choice of Michael Ballhaus, who I didn't know anything about before I read his issue. He is a cinematographer who worked on all the best Fassbinder movies and invented the mind-blowing 360-degree tracking shot used in Martha. Check out the video if you haven't seen it, it's magical. And so is Margit Carstensen's all-white outfit, it kills me every time. 



Posted by
Chelsea
at
4:33 PM
10
comments
Labels: Fashion on Film, Mag Hag, People We Love